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❝This is a true spinto Tenor❞ | ❝by far the best that I've ever heard live ❞ | ❝the animality and torment of a Ramon Vinay❞ | ❝the strength and sonorous brilliance of a Mario Del Monaco❞ | ❝strong, virile, bronze-like tenor voice❞ | ❝with high Italianate coloring in abundance❞ | ❝enviably easy vocal power❞ | ❝capable of precious mezze voici❞ | ❝from Italian traditional school (Del Monaco. Cecchele, Corelli)❞ | ❝Nearly six feet high, with an athletic physique❞ | ❝spectacular sensual look❞ | ❝nothing but a typical Tenor❞ | ❝with timbral flashes of ilk singers as Mario Del Monaco❞

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  • This is a true spinto Tenor, from a good school, with timbral flashes of ilk singers as Mario Del Monaco and with full awareness of his instrument and what he can achieve with it, giving him a personal identity that seeks no imitation.
    José Noé Mercado
    Pro Opera Magazine
    www.proopera.org.mx
  • Monsalve collects the expressive force of some reference Otellos to draw his own: the animality and torment of a Ramon Vinay, the strength and sonorous brilliance of a Mario Del Monaco (with that steady emission and blade cutting sonorous trebles) and the scenic ductility of A Plácido Domingo.
    José Luis Arredondo A.
    www.tuiteroscultura.com
  • The Don José of the young Chilean tenor Giancarlo Monsalve, whose voice of strength left to underlie an acquired technique skill of the Italian traditional school (Del Monaco. Cecchele, Corelli) But capable of precious mezze voici.
    Aldo Mattina
    I Vespiri
    www.ivespri.com
  • Giancarlo Monsalve showed off the coaching he has received in Italy by opening up and knocking out treacherous high notes consistently, throughout the evening.
    Laura Genero
    The American Spectator
    www.spectator.org
  • Mr. Monsalve displayed a smooth, flexible tenor range, capable of achieving significant volume against the orchestra’s romantic surges. His diction remained superb and as he accurately hit each top note.
    Terry Ponick
    The Washington Times
    www.washingtontimes.com
  • Nearly six feet high, with an athletic physique and a spectacular sensual look, Monsalve is nothing but a typical Tenor. Without doubt, the singer has a very high quality material, good sense of the scene and partnership. Add to this, its dark and deep voice, with a dense center and a bright top, soon realize that a tenor like this can be an unbeatable advantage for many theaters.
    Cyril Veselago Кирилл Веселаго
    Opera News
    www.operanews.ru
  • His José was by far the best that I've ever heard live. He makes the development from the conservative sergeant to the madness of the lover corroded by the contempt tremendously clear. His Flower Song (with piano!) Was built incredibly thrilling and damn clever.
    Michaela Koch & Anke Hartmann
    Mittelloge
    www.mittelloge.de
  • The Chilean tenor Giancarlo Monsalve. He is an excellent Pollione, with a strong, virile, bronze-like tenor with high Italianate coloring in abundance. He has an enviably easy vocal power, and he is a handsome man who was quite persuasive as an enemy to whom two women would defect.
    Greg Stepanich
    Palmbeach Arts Paper
    www.palmbeachartspaper.com